Review: Uncanny CGI overpowers engaging storytelling
Jack London’s “The Call of the Wild” is a timeless story, and the film adaptation tells it well.
Jack London’s “The Call of the Wild” is a timeless story, and the film adaptation tells it well.
Even before “Fantasy Island” begins, the movie is trying to scare you.
Director Jeff Baena’s Sundance Film Festival entry “Horse Girl” is a bizarre experience that tackles difficult topics, including mental health, with a unique twist.
Predictable, disorganized and monotonous are just a few words to describe “The Rhythm Section,” a fast-paced action drama directed by Reed Morano.
The Netflix documentary “Miss Americana” is an exercise in public image.
Set during World War I, “1917” is a grand-scaled epic directed and co–written by Sam Mendes.
The first part of the “IT” franchise opens with an iconic scene: Pennywise the Clown (Bill Skarsgård) confronts Georgie (Jackson Robert Scott) in a sewer; the scene results in the 6-year-old boy’s arm viciously being bitten off in the clown’s jaws.
“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.
For decades, horror movies have replicated the hard work “The Exorcist” did in 1973 to produce one sleek but soulless thrill ride after another.
“Missing Link” is a visually spectacular stop-motion film about friendship and finding one’s place in the world.
“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.
Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.