The Ithacan

A group of women charged into Walmart on a mission: raid the tampons, pads and chocolate aisles.

Two years after taking a dreary look at Hollywood in “Lust For Life,” Lana Del Rey returns to her nostalgic roots with her sixth and latest record, “Norman F—— Rockwell!” The album cover features a painted blue sky and Del Rey with a male companion, reaching out to the camera, inviting the listener to join her.

“Her Smell,” an indie drama from writer and director Alex Ross Perry, is painfully slow in spite of the pure chaos it depicts.

Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.

Seven men run around a deserted, pastel city, dressed to the nines in the brightest colored clothes they have.

“Little” opens with obligatory narration — “Allow me to introduce myself” — but there is nobody going to see “Little” who won’t realize immediately where it’s headed.

Four young women stand together firmly in front of hundreds of trumpets as brass blares in the background.

With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.

Cyndy Scheibe, professor in the Department of Psychology, said that when observing move-in day, it is always interesting for her to observe the relationships between parents and their kids.

Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.

“After” takes a problematic fanfiction and turns it into a frustrating and predictable movie.

If an ominous phantom tells you not to mess with the barrier between life and death, you’d think you should listen to him.