Review: “Social Cues” disappoints as a whole
Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.
Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.
With the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury, “Shazam!” is one of DC’s best big screen adaptations in the past six years.
Cyndy Scheibe, professor in the Department of Psychology, said that when observing move-in day, it is always interesting for her to observe the relationships between parents and their kids.
Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.
As the semester comes to an end, members of the Class of 2019 at Ithaca College will be participating in several ceremonies, collecting their graduation regalia and preparing for graduation.
Disney’s live-action remakes have hit a rocky point as they adapt one of its more unusual characters in “Dumbo.” Directed by Tim Burton, “Dumbo” seeks to recreate the 1941 animated classic on a larger scale, and it succeeds occasionally, but not enough to distract from its lack of pizazz.
During the month of April, students of Asian and Pacific Islander heritage are celebrating their identities.
The Ithaca College Roy H. Park School of Communications wrapped up a series of programs for Women in Media Month, held in conjunction with Women’s History Month, with an event March 31 that featured a panel to discuss the challenge of dual identity that is faced in the Latin American community and a showing of a short documentary about a Puerto Rican youth.
One question plagues the audience throughout “The Dirt”: At what point in the movie is the audience supposed to accept sweet and baby-faced Douglas Booth as the hard-rocking, heroin-shooting, Jack-Daniels-bottle-smashing Nikki Sixx?
“Us” is at once familiar and foreign — it’s a traditional slasher turned and twisted into something radical and bizarre.
The latest brand of young adult romance seems to revel in the bittersweet tragedy of chronically ill teens falling passionately in love.