Commentary: streaming services should not release seasons all at once
If Netflix doesn’t experiment more with weekly releases, it could spend millions on these binge-shows that will immediately evaporate from
If Netflix doesn’t experiment more with weekly releases, it could spend millions on these binge-shows that will immediately evaporate from
“Tall Girl 2” is obnoxious, it makes better background noise than it does a movie.
The Royal Treatment uses tired rom-com conventions to build a performative, awkward and boring narrative structure.
In “He’s All That,” a gender-swapped remake of the lukewarm 90’s film “She’s All That,” TikTok star Addison Rae succeeds only at butchering dialogue.
Jason Momoa’s action-thriller is tone-deaf, melodramatic and somewhere between the fun of B-list action movies and C-list straight-to-video trash.
Netflix has begun to make documentaries about the influence of social media as it becomes an increasingly present part of daily life.
Fans of the book will be pleased to see that the Netflix series is a true adaptation of the books, without a plot point out of place.
“Concrete Cowboy” is a successful call to action for viewers to educate themselves about the current problems with increased gentrification.
Despite Andre’s classic insanity appearing in moments throughout the film, “Bad Trip” isn’t as special as it could, and perhaps should, have been.
Pop culture has taken an active role in covering the deeply personal aspects of celebrities’ lives without care or compassion.
Disney+’s “Flora & Ulysses” perfectly captures this sense of imagination in a family-friendly adventure filled with laughs, charm and plenty of heart.
While new services may seem to present an opportunity for innovation and market diversity, the rapidly expanding industry might actually bring about its own downfall.