By Jake Leary, Contributing Writer
• September 4, 2016
Netflix’s “The Little Prince,” based on the classic work of Antoine de Saint-Exupéry, delivers such a rich range of emotion, moral and visual complexity. This complexity is evident in “Prince” — each chapter of the Prince’s quest, from his home on the minuscule Asteroid B-612 to the vast expanse of the Sahara Desert, is rendered in stop-motion.
By Kate Nalepinski, Assistant Life and Culture Editor
• August 30, 2016
Somehow, Glass Animals created a sound so intricate that regardless of the listener’s environment, the album feels full and complete. This album is ideal for loud parties on Friday nights, but it also includes tunes that can create a calmer atmosphere more appropriate for a rainy evening.
It’s obvious the “Ghostbusters” team put a great deal of thought into how best to bridge the gap between old and new. In the end, however, the original wins out.
The film addresses deeply emotional familial issues like divorce, the loss of a parent or partner, insecurity about marriage, a daughter’s trying to reunite with her biological mother, and sisters’ trying to making amends with their parents. Each moment is brought to life on screen by the cast in a way that is honest, relatable and believable.
In Jon Favreau’s “The Jungle Book,” Christopher Walken voices a giant orangutan. And he sings. That alone is worth the price of admission.
At this point, it’s hard to imagine that anyone has...
Those who liked and watched “Boy Meets World” can catch up on the lives of the characters they watched growing up and relive the awkward and bewildering times of adolescence through this Disney Channel hit show.
In the end, it isn’t so much the clash between Superman and Batman as it is the clash between production value and lost potential for a greater, more wholesome story, resulting in a middle ground that’s guaranteed to polarize audiences for “Batman v. Superman: Dawn of Justice.”
By Celisa Calacal, Life & Culture Editor
• March 21, 2016
The decision of directors Byron Howard, Rich Moore and Jared Bush to tackle issues of prejudice through the animal world was a gutsy move — one that ultimately paid off.
There would have been a suitable audience for “Gods of Egypt” had it managed not to bury its crowd-pleasing production design in a mess of a story. But the film’s ultimate destination is undoubtedly the burial chamber or underneath the sands of the ceaseless desert wind.