Review: “Quiet Signs” is an intimate look into singer’s universe
It’s easy to listen to Jessica Pratt and forget the world around you.
It’s easy to listen to Jessica Pratt and forget the world around you.
What happens when a cold-blooded serial killer reincarnates into a newborn baby’s body?
In his 10th studio album, “Freedom’s Goblin,” Ty Segall joins fuzzy guitar with electronic funk.
English rockers Bring Me The Horizon initially came into the music scene as a death metal band, but almost 12 years after the release of their debut LP, “Count Your Blessings,” they are far from their heavier beginnings.
Alice Merton broke onto the music scene in 2016 when she went straight to the top of the charts with her powerful single “No Roots.” Merton also released two other singles, “Why So Serious” and “Funny Business” in 2018.
The band’s newest album, “Integrity Blues,” leans away from its emo-rock roots and distinguishes itself with a couple more experimental tunes.
Most of this album shows off the band’s true potential since they returned to their roots and produced an album of substance and depth.
Spektor’s method of manipulating the dynamics and moods of her songs, gives them a playful feel and demonstrates her technical musical prowess.
Straying from their characteristically indie sound, Guster produces lackluster synthetic vibes in “Evermotion.”
Twenty-one years after the release of their first album, Wu-Tang Clan reunites but ultimately falls flat in “A Better Tomorrow.”
Fusing hip-hop, rap and ambient instrumentals, “A Constant Moth” effortlessly provides a new blend of electronic music.
Exceptional acting fuels a family-centric narrative in “Sunset Baby,” running from Dec. 3–21 at the Kitchen Theatre Company and directed by Dominique Morisseau.