On Dec. 19, the film adaptation of Freida McFadden’s 2022 novel “The Housemaid” was released in theaters. While the story is a satisfying piece of entertainment for those who crave gimmicky thriller novels, the adaptation fails to impress on the big screen.
A Manhattan chase sequence, a canine ownership dispute turned deadly, and a structurally unsound bathtub — can you believe these are featured in a movie about ping-pong? It is certainly unusual, but “Marty Supreme,” the outstanding new sports film from director Josh Safdie, defies the odds at every corner.
“Five Nights at Freddy’s 2,” directed by Emma Tammi and released Dec. 5, outperforms its predecessor in scares but fails to deliver in terms of performances and plot.
“What’s to discuss, old friend?” The long-awaited proshot of “Merrily We Roll Along,” a classic Stephen Sondheim musical, is bringing a big buzz in the Broadway community. The four-time Tony winning revival from the 2023-24 Broadway season released the professional recording Dec. 5. The musical's material was consistent, but the proshot lacked in its cinematic elements.
Director Chloé Zhao’s latest film “Hamnet” was released in theaters Nov. 26. The film is based on the novel of the same name by Maggie O’Farrell, who also cowrote the screenplay with Zhao.
“Hamnet”...
“Wicked: For Good,” the long-awaited second act of “Wicked,” hit theaters on Nov. 21 with a bang. The movie brought in $150 million in the U.S. for its opening weekend. Many new elements were introduced in this movie with surprising artistic choices involving lyrical changes and plot changes, making this goodbye to the “Wicked” movies quite memorable.
By Meital Fried, Life & Culture Editor
• November 20, 2025
“Now You See Me: Now You Don’t,” the third movie in the “Now You See Me” franchise, opens with a variation on its iconic catchphrase. Magician and con artist J. Daniel Atlas (Jesse Eisenberg) stands on a stage in Brooklyn, New York, prepared to perform his first trick in years as part of his magic group, The Four Horsemen.
Following the releases of the Stephen King novel “The Running Man” in 1982 and the film of the same name in 1987 starring Arnold Schwarzenegger, director Edgar Wright brings a new adaptation of the novel to light, with “The Running Man” sprinting into theaters Nov. 14.
The return of the uber-popular action-thriller “Predator” franchise brought a lot of strong questions from audiences: How can the franchise reinvent itself after so many lackluster titles in the past? Is there any variety in the story that the franchise can find for yet another sequel?
Over a decade after her Academy Award-winning portrayal of a troubled young woman in “Silver Linings Playbook” (2012), Jennifer Lawrence returns to that archetype with “Die My Love,” released Nov. 7.
Since Mary Shelley released her novel “Frankenstein; or, The Modern Prometheus” in 1818, the tale has received hundreds of adaptations, spanning from film to television to plays.