Iggy Pop is one of the few artists who perfectly represents the spirit of punk.
Cage the Elephant’s “Social Cues,” the American rock band’s fifth studio album, might appeal to its veteran fans, whose die-hard attitude toward the group will keep them listening if only out of loyalty.
Labrinth, Sia and Diplo joined forces and conceived an album, perfectly balancing their styles and strengths to produce a masterpiece that is as exceptional as its creators.
Khalid’s new album, “Free Spirit,” is the record of the summer, made for wind-whipped midnight car rides, relaxing in bed on an easy Sunday afternoon with a cup of coffee or for a gloomy, rainy day with thunder rolling by.
It has been said that absence makes the heart grow fonder, which could explain the tendency to worship the comebacks of artists who have been off the radar for years.
After Oakland-based punk-rock group SWMRS signed with New York City–based record label Fueled By Ramen and released its record label debut and overall third LP, “Drive North,” the band has returned to the punk scene with its follow-up, “Berkeley’s On Fire.”
The band itself initially got attention because of its drummer, Joey Armstrong — Green Day frontman Billie Joe Armstrong’s son — but “Berkeley’s On Fire” combines eccentric tracks that blend together a multitude of punk, alt-rock and surf-rock elements, giving the band a separate, personal identity.